The stars have no patience for city lights and smoggy skylines, crowded streets and a world of street lamps. A few bully their way through the hazy shine of smoky brightness, the smudge of fluorescence blocking out the sky, and these stalwart few weakly murmur the words of stars. But far away from all the noise the celestial orbs twinkle with mischievous guile, for they've tricked the verse and we so susceptible.
I'm wordless tonight, and time thickens, it thunkins, it thunkmms until thinking and mumbles and time coagulate into a jumbled mess, a scab of life that I can't stop picking at, itching until it bleeds out again, slows, and clots in persistent recursion. I'm a spinning record past the tracks, a looping program, a train, a drudge employee, a migratory bird, following the same preprogrammed ruts ad aeturnum.
I've been starting into writing stories again, which is probably one of the reasons I'm writing less and also writing less poetry here. I don't really enjoy posting pieces of things here unless they are parts I particularly like, or are things I want to work remember for a later point - or if they are stories that I created stream of consciousness while blogging. But I'm excited, because it has been a while since I've written stories, and getting back into the swing of things feels really magical, as though each of the pieces of writing I've been working on are fitting together, and the puzzle-pieces of writing are beginning to make more and more sense the way I see it.
Artful musings percolating along neural seams: a river, a breeze, a whisper of fancy in dreams.
Saturday, April 19, 2014
Thursday, April 17, 2014
Gibberibberibberish
I’ve come too late to so long a road. The clock a tocking
time-bomb in my head, an incessant chipmunk in a box, how he mocks the time and
sucks it dry with every tic - lifeblood leached bone dry. The succubus smirking
in the corner traces lascivious lines along the sphinx’s chin, and shirks my
eyes – the more masks I hide behind, oh, how the nakedness grows. And that, the
cuckoo stuck out on time’s tongue coos, is her cue.
On the left, an ash, on the right, a false cedar, and like
that bird I don’t belong. I do not long for that I cannot comprehend. How might
I crave that which lay beyond my ken? Yet, you long for it passionately,
for me, despite my naiveté. There is a worth, a hidden currency, you must
advertise until I buy everything you believe, an entire world. Until it’s no
longer I you wish to see, to complete, but an inner unease. You are
no confidant, no comrade in arms, but a politician, a solicitor, a hawker, an
evangelist of personal priority. Can you understand I’m fine without your stamp of
happiness superimposed over me?
I traded the knowing of eden for that of vulnerability. A
minotaur reads an artist’s empty book, tabula rose, full of blank red pages ; Cyclops
and Odin discover parallax, while Mary is a little lamb with Circe ; Loki
starts a charity, and Ophelia and Virginia Woolf discuss Poseidon’s poetry ; Pluto and Descartes prattle on most amiably, while Plato makes finger-shapes into monster shadows on the walls. And
I sip at my steaming tea, contemplating all this sophistry, and ask if everything always crashes like a dam,
bursting out so violently, or whether revolution can happen quietly, while the
Christ-child sleeps.
Tuesday, April 15, 2014
It would have been sufficient
Passover
is my favorite holy day of the year, by a substantial margin: the story of the
Exodus, the providence of God, the analogy to Christ’s own sacrifice – contemplating
a whole series of miracles like a divine Great
Escape. During one portion of the Haggadah, the leader goes through a
series of “If God had only … but not” statements, to which everyone replies “Dayenu”
or “it would have been sufficient”.
I
wish I had this graceful a response to God’s involvement in my life. More often
than not, my response is “are you serious? Why this any not that?” But if there
is one great takeaway from Judaism I’ve gleaned in the past years, it is that
God is God. If God had only rescued the Israelites from Egypt, but not judged
them – it would have been sufficient. It would have been enough.
If
God had only brought me to this point, but not blessed me in numerous ways – it
would have been sufficient. If God had only blessed me with friends, family,
but not a great job – it would have been sufficient.
And
what have I been passed over from this year? Every year, this is something I’ve
considered. Some years, it was a difficult school, or frustration at my
inability to communicate or socialize properly, or a lack of faith, or simply a
sense of lacking direction. And these things don’t necessarily disappear,
eradicated in a moment in the ritual of wine, bitterness, festivity,
medication, sanctification, and companionship. But it’s as if the bitterness
has been lifted from me, transformed. My cup was not as full, for each of the
pains endured, but the angel of death will pass over me – the sacrifice has
been made.
threshold beneath the orchard leaves,
columns of trees and barrow mounds,
white blossoms, a secret garden
of lost and found where shadows hide
and sunlight's golden threads tie errant hearts
down in this labyrinthine trap of branches -
can you smell the sandalwood,
the cedar, the hazelnuts before the fletching
and sharpened arrowhead make a nest
in your chest and it hurts like love
or death or splinters would
Monday, April 14, 2014
Pesach
Because, of course, the combination of horseradish, wine, and dense meats that have cycled into my gut are, in some fashion, alien, I'm struggling to sleep - here I am writing. When at all possible, I avoid wine, because it tastes bitter, and I despise bitterness (beer, wine, chocolate, coffee, etc). So this holiday hits me worse than most, due to its ceaseless influx of wine into my baby belly, and the violent partaking of bitter herb which ravages my sinuses and mauls my stomach.
Anything that tastes this bad should be outlawed, right? But so should slavery, so it is the weakest of analogies, and grants some tiny, infinitesimal perspective on the horror that is slavery, and the memory of redemption, and its cost.
But I'm glad of friends, feasts, and remembrance, even of events that transpired long before my birth, long before my parent's parent's births. There is something fascinating about legacy, and the Jewish legacy in particular, and I feel like I'm reclining with Yeshua at the table, right there beside Thomas, breaking unrisen bread while my stomach is churns with a precognizant warning of the terrors of the impending night. And I'm sitting here in my comfortable world saying, oh Lord oh Lord, please take this cup from me, and I'm not even about to be crucified. I'm actually praying about each literal cup.
And now I'm tipsy tipsy from tippling too much and being in the weight class of puppies, and sleep is evasive. I would watch the moon, but I fear being locked out; I would count sheep, but my stomach wants no mention of sheep at this juncture, thank-you-very-much, though it was delicious.
And so I just lie here, staring at the ceiling lit by the passing cars in the street beneath, wondering whether my stomach is the mortar and my diaphragm the pestle, or what sort of animal is bleating in my gut, complaining about not being passed over. But sleep is not coming.
Thank you friends, for coming. And happy passover to everyone. Remember.
Anything that tastes this bad should be outlawed, right? But so should slavery, so it is the weakest of analogies, and grants some tiny, infinitesimal perspective on the horror that is slavery, and the memory of redemption, and its cost.
But I'm glad of friends, feasts, and remembrance, even of events that transpired long before my birth, long before my parent's parent's births. There is something fascinating about legacy, and the Jewish legacy in particular, and I feel like I'm reclining with Yeshua at the table, right there beside Thomas, breaking unrisen bread while my stomach is churns with a precognizant warning of the terrors of the impending night. And I'm sitting here in my comfortable world saying, oh Lord oh Lord, please take this cup from me, and I'm not even about to be crucified. I'm actually praying about each literal cup.
And now I'm tipsy tipsy from tippling too much and being in the weight class of puppies, and sleep is evasive. I would watch the moon, but I fear being locked out; I would count sheep, but my stomach wants no mention of sheep at this juncture, thank-you-very-much, though it was delicious.
And so I just lie here, staring at the ceiling lit by the passing cars in the street beneath, wondering whether my stomach is the mortar and my diaphragm the pestle, or what sort of animal is bleating in my gut, complaining about not being passed over. But sleep is not coming.
Thank you friends, for coming. And happy passover to everyone. Remember.
Sunday, April 13, 2014
Expectations
Is life supposed to be a series of consecutively diminishing
expectations?
Yet those who wait for the LORD Will gain
new strength; They will mount up with wings like eagles, They will run and not
get tired, They will walk and not become weary.
Isaiah 40:31
At first, you are flying, and believe the
world is endless; then running, across the valleys and mountains and beneath
the tall trees; and eventually, your legs are weak, but you walk beside the
still waters in pastures green. Yet, it seems like I'm dreaming of flying when
my wings have failed me, and I imagine running as I'm crawling on my stomach
through the mud, and eventually I'm forced into dwindling returns with each
outlook.
Is that okay?
It frustrates and disheartens me whenever
I begin thinking: "maybe I should surrender and settle for..." or
"perhaps I don't have what it takes after all." These are
self-deprecative and destructive, even though of late they seem more and more
honest. If I've set my expectations too high, why can I not simply raise the
bar of motivation to match? Or will my being into greater capacity, with
practice and diligence? And I trytrytry but it's a neat string-sequence of
failures, like hoping for 100%, expecting 95%, and getting a 40%. The chasm is
embarrassingly broad - was I such a fool? Did I have no chance from the
get-go?
And everywhere this follows me, like a bully I’ve installed inside
my own head: you’ll not succeed, so give
up; you’re not worth that much, so lessen your beliefs; stop pretending there’s
hope, and just surrender into redundancy.
That’s the tragedy I fight every day, the Death of a Salesman tragedy. It’s the darkest tragedy I’ve ever
read, to me, because it’s so prevalent, and I’m stricken. I’ll never suffer the
Oedipus Rex tragedy, or the Romeo and Juliet tragedy, or Antigone or any of the
famous, classic tragedies. No, mine is Biff’s, and Willy’s tragedy:
Why am I trying to become what I don’t
want to be? What am I doing in an office, making a contemptuous, begging fool
of myself, when all I want is out there, waiting for me the minute I say I know
who I am! Why can’t I say that, Willy?
(He tries to make Willy face him, but
Willy pulls away and moves to the left.)
WILLY (with hatred, threateningly): The
door of your life is wide open!
BIFF: Pop! I’m a dime a dozen, and so are
you!
I’m a dime a dozen. When I submit entries into a competition, and
don’t win: I’m a dime a dozen; when I compete in a race, and finish not first,
or play a game and fail to achieve the best of me – I’m just a dime a dozen.
Every day, I play a dangerous romance with cultural norms, as I devil-dance
around acceptance, accomplishment, and what our world classifies as success,
and then balance on the dichotomy of difference, Godliness, faithfulness, love,
hope, and personal achievement while maintaining a semblance of personality and
individuality that leaves me unique instead of a stamp of humanity spewed out
of a mold of media.
Our culture churns out empty personalities and cultural failures
on an assembly line of couches as fast as any fast-food chain produces
faux-food and fattens our grossly gluttonous society. Whatever it is, we want
it fast, now, and without any effort.
So why is it that when I put an effort in, it still seems like I
cannot raise my head about the waves?
I’m not waving, but drowning. I fail to understand how and why the
mass appeal is so fascinated with progressively inferior productivity, as long
as it satisfies some banal craving we’ve been told we have. Is it just me to
desperately need something exceptional, and to refuse to threaten my standards
with lesser things because that would mean I’ve fallen into the same desperate
hell the rest of society has chosen? Am I being foolish again? Tell me if it’s
so.
I’m not a loaded cannon or a charged revolutionary – I’m no
rumbling volcano or pin-less grenade. But that doesn’t mean I’m without dreams.
Just because I bury, drown, box, hide, and secrete away my hopes doesn’t lessen
them, or disintegrate the hurt that rises like a fire in the belly with each
failure. Sagely fellows always say how valuable failure is, but that’s only
true in light of some eventual success.
I simply cannot fail ad aeturnum and hope to maintain a healthy
resolve. But I must. I contemplate my life chances and wonder if it is all luck
of the draw. It’s not talent that defines greatness anymore, but fortune with a
pinch of caliber.
Don’t ask me to surrender my passion, my hope, my dreams in exchange
for yours. I won’t have it. I always wanted this road, and sometimes the
swiftest way for dreams to lose their allure thus.
Thus did my siblings and I learn one of
the hard lessons of life: the best way to strip the allure and dreaminess from
a lifelong dream is, very often, simply to have it come true.
David James Duncan – The Brother’s K
And with every passing day I’m striking out. I don’t remember how
long I had intended to do so, but it seems so short and so long now. Hopefully,
with scars, scrapes, scabs, and bleeding, gaping wounds, I’ll eventually crawl
my way into a world where I’m worth a quarter, or at least a score of pennies.
I’ve a long path to go for a million, but I’ve no other path I’d rather follow
than that of dreams, love, and hope.
And it's weeks where every morning I think: this is the best day of my life, and every night I pray for a rest before another such day. I'm a boy who's flown too high, with melting wings. But at least for the time I'm free. And for the hundred-thousandth night in a row, I fall asleep as a dime a dozen.
Friday, April 11, 2014
Land Octopus
I found a nice knoll this afternoon, worth a stroll and a quiet picnic, and some grass on which to journal. I didn't, the sky's allure was simply intoxicating. Drunk as the bees buzzing in the clusters of dandelions, I just smiled. I dreamed the stars in the sky were falling, and I grew frustrated at every wish I missed, until I realized the stars were streaking down the sky and crashing into my garden, burning entire rows of carefully cultivated crops.
I watched as the barrage from the heavens first decimated, then obliterated every last pea, squash, pepper, tomato, or herb I'd watered, fertilized, and meticulously weeded for weeks, months. Everything was a charred wreck, a blackened, smoldering mess that bubbled like a marshmallow fallen off the stick.
Full of anger, I rushed into the center of the garden, kicking the coals and snatching them up in my fists. It burned, but I was determined to show my ferocity, my fire, was the hotter.
Let go of the coals
Open your fists, and let go of the coals
Open your fists, anger will not solve this, and let go of the coals
Slowly, painfully, I released the coals and, kicking aside the ash that was my garden, I buried each one, the burning remnants of stars. There were no longer any stars in the sky - it was an empty heavens, a blank, black canvas.
When I woke the next morning, the coals had sprouted into flowers of all colors and heights, towering as tall as sunflowers, or huddled close like daisies, and they bloomed in turquoise, citrine, opal, sapphire, peridot, ruby, pearl, emerald, diamond, aquamarine, and garnet. Each color was arranged in rows and formed an intricate squarish-spiral inwards, towards a central flower with a brilliant amethyst purple for each petal and a golden heart. It was tall, as tall as I, and I felt it was staring into me as I stared at it.
I'm an octopus on land, and I can't feel my toes. I want to run and play, but my legs have me anchored here, and I don't have any bones. Dip your pen into my soul and ink will run, thick as blood, and stain your fingers black. So graceful in water, so fragile on land. I'll be braying like a moose in a tree until you free me stuck though I be by my own sucking immobility.
I watched as the barrage from the heavens first decimated, then obliterated every last pea, squash, pepper, tomato, or herb I'd watered, fertilized, and meticulously weeded for weeks, months. Everything was a charred wreck, a blackened, smoldering mess that bubbled like a marshmallow fallen off the stick.
Full of anger, I rushed into the center of the garden, kicking the coals and snatching them up in my fists. It burned, but I was determined to show my ferocity, my fire, was the hotter.
Let go of the coals
Open your fists, and let go of the coals
Open your fists, anger will not solve this, and let go of the coals
Slowly, painfully, I released the coals and, kicking aside the ash that was my garden, I buried each one, the burning remnants of stars. There were no longer any stars in the sky - it was an empty heavens, a blank, black canvas.
When I woke the next morning, the coals had sprouted into flowers of all colors and heights, towering as tall as sunflowers, or huddled close like daisies, and they bloomed in turquoise, citrine, opal, sapphire, peridot, ruby, pearl, emerald, diamond, aquamarine, and garnet. Each color was arranged in rows and formed an intricate squarish-spiral inwards, towards a central flower with a brilliant amethyst purple for each petal and a golden heart. It was tall, as tall as I, and I felt it was staring into me as I stared at it.
I'm an octopus on land, and I can't feel my toes. I want to run and play, but my legs have me anchored here, and I don't have any bones. Dip your pen into my soul and ink will run, thick as blood, and stain your fingers black. So graceful in water, so fragile on land. I'll be braying like a moose in a tree until you free me stuck though I be by my own sucking immobility.
Thursday, April 10, 2014
Oh how the fat lady sings
Deaf, dumb, blind, amnosia, anhedonia - while bawling my eyes out on the last hundred pages of my most recent book-reading slog-fest (I kept pulling a Matthew and reading other books), I couldn't help but appreciate the magical prowess of this author in captivating, capturing my senses and rooting them so deeply in the lives of the characters that I was one of the family, fictionalized though they are.
I'm sitting here, reading by lamplight, praying that the heroes punch the enemies in the face, and then repenting of my cruelty when one of the characters whispers to his brother: "open your fists and let go of the coals."
I'm weeping now.
Then, as one character is duped, all are desperately seeking love, and each follows an unusual path back into redemptive family, I find myself wanting to start all over again, to traverse the same hurts, pains, angers, fights, and eruptions, because I know my heart will break only the more when I find the redemption, hope, and enduring family that rises from the ashes of despair.
L and A: this is your fault.
I feel like my emotional insides have been pressure-washed out clear through me, and I'm not sure whether I'm clean, or raw, or even functional at this juncture, only that I was a vessel through which something brilliant was poured, and right now I feel not clean, but cleaned out - perhaps even struck out. There is, to be certain, a distinct out-ness which permeates my being, which I pray will be partially remedied and stupid-relieved by sleep. Oh, how the fat lady sings, and it is the swan song of my evening, beautiful and sorrowful and bright.
Subscribe to:
Posts (Atom)